I usually stick to just one brush for painting—mostly a larger one. I like how it covers big areas easily. Even when tiny details are needed, a bigger brush keeps everything loose and free. So, a loose sketch and a loose wash—it keeps things quick and spontaneous.
This is where I gather scattered thoughts and moments—memories from the past, hopes for the future, and details of the present that often go unnoticed. My journal isn’t just about big events, but about the spaces in between: reflections, drifting thoughts, and the quiet rhythm of time.
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